中国体育-斯图加特内部会议纪要流出：赛后队长鼓劲，德国杯使命明确，心理建设被强调(尤文图斯对斯图加特)

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　　布达佩斯交响乐团2017新年音乐会

　　时间: 2017-12-30 19:30

　　票价: 180元, 280元, 480元, 680元, 880元, 1080元

　　品

　　味传世经典

曲目单

Rossini: Overture ‘Ilbarbiere di Siviglia [7’15”]

罗西尼:《塞维利亚的理发师》

Beethoven: SymphonyNo. 8 in F major [30’]

贝多芬：F大调第8号交响曲

Kodaly: Galanta Dances[18’]

柯达伊：加兰塔舞曲

Brahms: HungarianDances 1, 3, 10 [8’]

勃拉姆斯：匈牙利舞曲第一、三、十号

Johann Strauss:Accelerationen Walzer op. 234 [8’30”]

约翰·施特劳斯：《加速》圆舞曲

Johann Strauss:Tritsch-Tratsch Polk

约翰·施特劳斯：闲聊波尔卡

*演出曲目及顺序以演出当晚为准

　　聆

　　赏世界名团

　　布达佩斯交响乐团

　　赞誉度极高的布达佩斯交响乐团（简称BPSO），属于匈牙利广播旗下，创建于1943年。录制古典音乐唱片是体育娱乐该团极为重要的使命职责之一，其中歌剧、协奏曲以及电影音乐的唱片录制受到匈牙利本土以及国际上的好评和热爱。

　　布达佩斯交响乐团的演出曲目从巴洛克时期至当代音乐都有涉猎。乐手多毕业于著名的李斯特音乐学院，精湛的专业技术使得他们沉浸于各时期音乐作品的演出和录制。作为广播旗下的一个专业乐团除了持有金牌的艺术质量，同时在室内乐和独奏艺术家领域也是非常出色的。

　　除了常规的繁复的录音工作之外，乐团的足迹也布满世界各地。从东欧到西欧，美国、加拿大等等。纽约卡耐基音乐厅，伦敦巴比肯音乐厅，以及维也纳音乐厅等都曾邀请布达佩斯交响乐团。著名指挥家奥托·克伦佩勒，卡洛泽池，雷柏·斯托克温斯基,约翰巴比罗里,克劳迪奥阿巴多，夏尔穆科，乔治·索蒂等等泰斗级人物都与该团有过亲密合作。

　　该团对各时期作品的精准把握，以及常年录制积累的现场以及舞台经验，使得他们的音色独特非凡。加之与知名指挥的合作像是一个精良的音乐制造商遇到了一个具有最高工艺的工程师，相得益彰。

BioBudapest Symphony Orchestra

　　The acclaimed orchestra internationally knownas Budapest Symphony Orchestra (BPSO) was founded in 1943 as Symphony Orchestraof the Hungarian Radio on Ernst von Dohnányi’s initiative. Apart from its usualorchestral work, it makes CD recordings of classical music, accompaniments ofopera and concerto productions as well as of demanding light and film musicmainly for foreign but also for Hungarian customers.

　　The repertoire of the Budapest SymphonyOrchestra ranges from the Baroque to contemporary music. Its members feel athome in all music styles as they have graduated from the world famous Liszt Academyof Music (now Liszt Ferenc University of Music). As a professional radioorchestra they appear regularly not only in symphony orchestra productions butalso in chamber or even solo productions as well.

　　Through its frequent broadcasts and itsrecordings the BPSO has become widely known, and its tours have taken it to thecountries of Eastern and Western Europe as well as to the United States ofAmerica and Canada. The orchestra has performed at major venues like CarnegieHall New York, London Barbican or Vienna Konzerthaus. BPSO has appeared withthe greatest conductors asOtto Klemperer, Carlo Zecchi, Leopold Stokowski, JohnBarbirolli, Claudio Abbado, Charles Münch, Georg Solti, Gennady Rozhdestvensky;Sir Charles Mackerasor Sir Neville Marriner. Chief conductors of the BPSOincluded Adam Fischer, Tamás Vásáry, János Ferencsik or Gregory Vajda.

　　Resulting from theirexperiences gathered on stage, they can meet in the course of studio work thehighest demands regarding timbre and fidelity to style. Owing to theirdecade-long connections they make their recordings in excellently equippedstudios with the best conductors, sound engineers and music producers. The recordings of the orchestra are published,inter alia, by Naxos, Gramy and Hungaroton.

　　奏

　　响新年乐章

　　指挥：格雷戈里·维达

　　格雷戈里·维达（Gregory Vajda）在巴托克的蓝胡子城堡和勋伯格的Erwartung指挥蒙特利尔交响乐团之后，被蒙特利尔公报评为“年轻的泰坦”，并成为国际上最抢手的导演之一。这些都反映了他在北美不断增长的存在和需求，他被任命为2011年亨茨维尔交响乐团的第六任音乐总监。在结束3年任首席指挥后，他于2014年被任命为匈牙利无线电交响乐团首席访客指挥。格雷戈里·维达先生是波特兰音乐交响乐团音乐总监，国际阿尔梅尔歌剧节艺术总监。

　　除了与这些组织的职责之外，即将举行的客座演艺活动包括汉堡国家歌剧院，法兰克福广播交响乐团，伦敦的哈克尼帝国剧院和布达佩斯歌剧院。

　　格雷戈里·维达也是一个有天赋的作曲家和单簧管演奏家。他的新作品“爱丽丝·陶德”于2017年1月由法拉伦五重奏组在旧金山首演。在2015-16赛季，格雷戈里·维达指挥了多瑙河交响乐团，匈牙利国家歌剧院，Pannon爱乐乐团，塞格德交响乐团。他被邀请回到加拿大的勒奴地耶节和夏季系列的波特兰节日交响乐团等。

　　在2014/15年，格雷戈里·维达与汉密尔顿爱乐乐团，奥马哈交响乐团和交响乐硅谷，罗切斯特爱乐乐团合作;在2013/14年由凤凰交响乐团，交响乐硅谷，卡尔加里爱乐乐团和哥伦布交响乐团。在2012/13他领导埃德蒙顿交响乐团，卡拉马祖交响乐团和圣芭芭拉交响乐团。在匈牙利，他曾经在潘侬爱乐乐团的利格特歌剧“乐大群魔乱舞”半色调演出，并在匈牙利国家歌剧乐团担任布达佩斯瓦格纳日的一部分演出，两次演出罗恩格林。自2009年7月以来，他在加州山区担任音乐总监兼导演职位。

　　2011/12音乐季，他回到了西雅图交响乐团和埃德蒙顿交响乐团，首次亮相托莱多交响乐团，而2010/11音乐季的亮点包括与俄勒冈州交响乐团的订阅系列，其中包括于美国首演的他的作品“迪沃”。在亚特兰大歌剧院演出拉波希米亚，并重新参与巴尔的摩交响乐团，埃德蒙顿交响乐团，交响乐硅谷和圆顶节。与路易斯安那州爱乐乐团和亨茨维尔交响乐团的辉煌整合了赛季。格雷戈里·维达的2009/10音乐季开始于匈牙利广播交响乐团，随后他首次返回匈牙利国歌剧院。在收养他的国家，他与俄勒冈交响乐团签约音乐会，与西雅图，大急流和孟菲斯交响乐团首演，并返回圣安东尼奥交响乐团和交响乐硅谷。

　　2008/09音乐季标志着导演对萨尔斯堡音乐节的介绍，他是皮特的助理导演。他与维也纳爱乐乐团和维也纳国家歌剧合唱团指挥了巴托克的蓝胡子城堡的最后表演，然后返回亚特兰大歌剧院。在管弦乐队的舞台上，他进行了多伦多，埃德蒙顿，圣安东尼奥和硅谷的交响乐。他还在伦斯勒理工学院（纽约州）举办了EMPAC（实验媒体与表演艺术中心）研讨会，并与Gy rgy Kurtag的墓碑为斯蒂芬合作。曾担任密尔沃基交响乐团的助理指挥，他在2005年放弃了职位，格雷戈里·瓦杰达（Gregory Vajda）领导几次区域巡回演出，并有机会在一年一度的经典订阅系列中进行加拿大黄铜，莫琳·麦戈文，国王歌手以及密尔沃基交响乐团。在过去的季节，格雷戈里·维达出现了圣保罗室内乐团，密尔沃基室内乐团，卡尔加里爱乐乐团，温尼伯，路易斯维尔，夏洛特和奥马哈交响乐，渥太华国家艺术中心乐团，合奏现代间，领导了Klangforum维也纳演出 “当我穿过梦幻之桥和三姐妹（作为维也纳艺术节的一部分），在布达佩斯的新剧院首演了他的室内歌剧巨人宝贝，以及匈牙利作曲家吉乔治·兰基的歌剧首演匈牙利国家歌剧院的国王皮瓜德新衣服。他还在阿维尼翁和斯特拉斯堡的节日，在伍德斯托克莫扎特节，格兰特公园节和林肯中心的莫斯特音乐节上进行。

　　组合亮点：格雷戈里·维达先生于2001年在卢浮宫礼堂举行了自己的音乐会，与美国钢琴家杰·戈特利布进行了无声电影。他的“现代南方漫画”名为“格鲁吉亚底部”，以亨茨维尔交响乐团首演，成为其2015年第60周年的一部分。他的管弦乐作品“Duevoe”和“单簧管交响乐”被记录在匈牙利无线电交响乐团。

　　Hailed as a “young titan” by theMontreal Gazette after conducting the Montreal Symphony in Bartók’sBluebeard’sCastle and Schoenberg’s Erwartung, Gregory Vajda has fast become one of themost sought-after conductors on the international scene. Reflecting his growingpresence and demand in North America, he has been appointed in 2011 the sixthmusic director of the Huntsville Symphony. After concluding his 3 yeartenure as Principal Conductor he was named Principal Guest Conductor of theHungarian Radio Symphony in 2014. Mr. Vajda is Music Director of the PortlandFestival Symphony and the Artistic Director of the International Armel OperaFestival.

　　In addition to his duties withthese organizations, upcoming guest-conducting engagements include the HamburgState Opera, the Frankfurt Radio Symphony, the Hackney Empire Theater in Londonand the Budapest Opera.

　　In addition to conducting, Vajda is also a gifted composer and clarinetist.

　　His new composition “Alice Études” will be premiered in San Francisco by theFarallon Quintet in January 2017.

　　During the 2015-16 season Vajdaconducted the Danubia Symphony, the Hungarian State Opera, the PannonPhilharmonic, the Szeged Symphony. He was invited back to perform at theLaunaudiére Festival in Canada and the summer series of the Portland FestivalSymphony among others.

　　In 2014/15 Vajda was engaged by the Hamilton Philharmonic, the Omaha Symphonyand Symphony Silicon Valley, the Rochester Philharmonic; in 2013/14 by thePhoenix Symphony, Symphony Silicon Valley, Calgary Philharmonic and theColumbus Symphony. In 2012/13 he led the Edmonton Symphony, Kalamazoo Symphonyand Santa Barbara Symphony. In Hungary he conducted the Pannon Philharmonic ina semi-staged version of Ligeti’s opera Le Grand Macabre, and lead twoperformances of Lohengrin as part of the Budapest Wagner Days with theHungarian National Opera Orchestra. In July he concluded his Artistic Directorand Conductor position with Music in the Mountains, CA – a position held since2009.

　　The 2011/12 season combined hereturned to the Seattle Symphony and Edmonton Symphony with his debut leadingthe Toledo Symphony, while highlights of 2010/11 included a subion serieswith the Oregon Symphony featuring the US premiere of his work “Duevoe,” areturn to Atlanta Opera conducting La boheme, and re-engagements to theBaltimore Symphony, Edmonton Symphony, Symphony Silicon Valley and Round TopFestival. Debuts with the Louisiana Philharmonic and Huntsville Symphonyrounded out the season. Vajda’s 2009/10 season began with a stint at theHungarian Radio Symphony Orchestra, followed by his first return to theHungarian State Opera since emigrating to the US. In his adopted country he ledsubion concerts with the Oregon Symphony, debuts with the Seattle, GrandRapids and Memphis symphonies, and returned to the San Antonio Symphony andSymphony Silicon Valley.

　　Season 2008/09 marked theconductor’s introduction to the Salzburg Festival as assistant conductor toPeter Eötvös. He conducted the final performance of Bartok’sBluebeard’s Castlewith the Vienna Philharmonic and Vienna State Opera Chorus, before returning tothe Atlanta Opera to lead La Cenerentola. On the orchestra stage, he conductedthe Toronto, Edmonton, San Antonio, and Silicon Valley symphonies. He alsohelped inaugurate the widely talked-about EMPAC at the Rensselaer PolytechnicInstitute (NY) with a performance of Grabstein für Stephan by György Kurtag.While assistant conductor with the Milwaukee Symphony, a position herelinquished in 2005, Gregory Vajda led several regional tours and hadopportunities to conduct the Canadian Brass, Maureen McGovern, the KingSingers,as well as the Milwaukee Symphony in a yearlyclassical subion series. Inpast seasons, Vajda appeared with St. Paul Chamber Orchestra, the MilwaukeeChamber Orchestra, the Calgary Philharmonic, the Winnipeg, Louisville,Charlotte and Omaha symphonies, the National Arts Centre Orchestra in Ottawa,Ensemble Intercontemporain, led the Klangforum Vienna in performances of PéterEötvös’ As I Crossed a Bridge of Dreams and Three Sisters (as part of theWiener Festwochen), gave the premiere of his chamber opera The Giantbaby at theNew Theatre in Budapest, and the premiere of Hungarian composer György Ránki’sopera King Pomade’s New Clothes at the Hungarian State Opera. He has alsoconducted at the festivals of Avignon and Strassbourg, at the Woodstock MozartFestival, Grant Park Festival and the Mostly Mozart Festival in Lincoln Center.

　　Composition highlights: Mr. Vajdaconducted his own concert music for the silent film The Crowd at the Auditoriumof the Louvre in 2001, with American pianist Jay Gottlieb. His “Comic Opera ofthe Modern South’ entitled ‘Georgia Bottoms’ was premiered with the HuntsvilleSymphony as part of its 60th Anniversary Season in 2015. His orchestralcompositions ‘Duevoe’ and ‘Clarinet Symphony’ were recorded with the HungarianRadio Symphony Orchestra under his baton. Mr. Vajda’s music is published byrecording labels BMC (Budapest Music Center) and Hungaroton Classic.

　　He was honored with the Gundel ArtPrize in 2001, the Zoltán Kodály State Scholarship in 2000, and the AnnieFischer State Scholarship in 1999.

　　Born in Budapest the son of renowned soprano Veronika Kincses, Gregory Vajdastudied conducting at the Franz Liszt Academy of Music under Professor ErvinLukács. He was also a conducting and composition pupil of well-known composer andconductor, Peter Eötvös.

　　PS：

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致敬门德尔松《德国符腾堡州海尔布隆室内乐团音乐会》

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　　致敬门德尔松《德国符腾堡州海尔布隆室内乐团音乐会》

　　时间:2017-09-21 19:30

　　票价:80/180/280元

　　德国符腾堡州海尔布隆室内乐团

　　很少有室内乐团像德国符腾堡州海尔布隆室内乐团一样，在世界任何地方都会有如此巨大的市场需求。自1960年乐团成立至今，它已在音乐界声名远扬。室内乐团之所以能够深深吸引观众，不仅因为它有艺术的多样化，更因为它可以表现出音乐的活力和精湛技艺，从而把深厚的音乐感知性和情感相结合。这就是为什么德国符腾堡州海尔布隆室内乐团有着“ 精致的声音“ 和“ 令人惊叹的光辉“的美称。

　　乐团除了在本州剧院的音乐会，还经常在这个德国及欧洲、北美、日本等国家和地区举办形式丰富的演出，所到之处均受到观众的好评。除此之外，乐团也一直致力于青少年的培养工作。

　　在半个世纪的时间里，德国符腾堡州海尔布隆室内乐团不仅与许多著名的艺术家有过合作，更是一贯支持青年才俊的音乐家发展自己的音乐事业。与乐团合作过的独奏家包括Frank Peter Zimmermann、,Anne-Sophie Mutter等等。